The Creator of the Second Dimension

In late August, the most popular game in China is "Hatsune Miku: Idol Master".

Due to the popularity of Hatsune Miku on the Hatsune Video Network, many passer-by players who are not very familiar with mobile games have also poured into this game. Fish play can also be fun.

For Lin Shuyi, a newcomer original artist of Phantom Animation, although "Hatsune Miku: The Idol Master" is fun, what I look forward to more is the internal preview of "Classic Literature Society Series".

Since she was a student and entered the animation design major, Lin Shuyi has always had a dream, that is to participate in the production of famous animations, and then see the finished animations before all audiences.

Now, although I don't know if the "Classic Literature Society Series" will become a great animation that has left a name in the animation industry, at least the wish to see the finished animation before all audiences has come true.

At three o'clock in the afternoon, in the projection hall on the first floor of Fantastic Animation.

This projection hall was built during the previous renovation. After all, the projection screen in the conference room will be affected by the light, which is not very good, so Xu Rui arranged a projection hall on the first floor. This small The projection hall can accommodate fifty people, but the playback equipment is no less than that of a serious movie theater.

Lin Shuyi sat on the side of the third row, and she was surrounded by several colleagues from the original painting group. The preview meeting was divided into three sessions. Sign up to participate. There are several fixed places in the original painting group, and Yi Qianqian gave Lin Shuyi a spot. .

There was still some noise at the scene. Not only were there people from Fantastic Animation, but there were also people from Hatsune Games and Hatsune Video Network. Not all of them were professional animation producers, but Xu Rui was still willing to let more people watch the trial screening meeting.

Lin Shuyi saw the school recruits who had been together for three days before, but it was not convenient to say hello after a certain distance.

The test screening will start soon, and the content of the first episode will be played.

Here, Lin Shuyi has read the storyboard performance draft, and after Yi Qianqian's guidance, she also understands which are the key points of the performance and which places need the artist to focus on acting. This time, she is looking at it with her learning experience .

The rhythm of the animation is slow, and there are no strong conflicts. Even so, everyone is still watching the picture seriously.

Lin Shuyi watched very intently. When she entered the company, the painting part of the first episode had already been completed, so Lin Shuyi didn't touch it. Seeing these delicate pictures at this moment, she couldn't help being a little excited.

As soon as she thought that her own painting would become such a picture, she suddenly had a feeling of being in history.

A total of three episodes will be played in the preview, and the one-hour time will end soon.

When the show ended, Xu Rui also specially reminded everyone not to forget to fill in the questionnaire distributed before the opening.

Lin Shuyi walked out of the screening room, returned to her seat, and looked at the questionnaire in her hand.

There are some more subjective questions, including favorite characters, impressive places, and some relatively objective questions, such as the rhythm of the story, the outline of the plot, and the change of tone.

Even if the other party is not a professional in animation production, the answers they get are relatively subjective. From these answers, you can see most people's views on animation itself. After all, most people who watch animation are general audiences.

Lin Shuyi carefully browsed through the questions before picking up a pen to answer. It took about half an hour before she finished answering all the questions and handed them over to the person in charge of collecting the questionnaires.

Back in her seat, she picked up the cup and went to the tea room to drink a cup of coffee, but saw Yi Qianqian sitting in the tea room with the questionnaire in front of her.

"Huh? Miss Qianqian also needs to fill in?"

Lin Shuyi was a little curious, so she leaned over and asked.

Because Yi Qianqian is the chief animation director of this animation, logically all the original paintings have to be supervised by her, so the quality of the script and the finished product should have been known by heart, why are you still writing the questionnaire now? Lin Shuyi didn't know.

"Of course, even if I am a producer, I will have emotional fluctuations when I see the work. This situation can be compared to the appearance of someone who has seen it once and then watched it for the second or third time."

Yi Qianqian had already written half of the questionnaire, she raised her head and said.

"Although watching it again after understanding the plot and connotation of the work, the impact of the work will be much smaller, but there are also details that are laid out for multiple viewings. The plot of this animation is not "Magic Girl Madoka Magica" or "Soul Eater: Zero" has a strong reversal, which is exactly the case, and whether it can withstand multiple viewings becomes an important indicator."

Lin Shuyi nodded half-understood. She seldom had the experience of watching a work repeatedly. After all, most animations are based on the plot. If "Soul Eater: Zero" did not have the publicity fraud at that time, the impact of the first two episodes The strength will be much less, and if the ending of "Magic Girl Madoka" is known in advance, then there will be a different mentality when watching the previous plot. When watching the tenth episode of Xiao Yan's reincarnation, the emotional impact will be natural Also a lot less.

"Do you want to watch it again?"

Lin Shuyi muttered to herself.

She recalled her previous movie-watching experience. Although it was a work with reasoning elements, Lin Shuyi suddenly realized that the focus of her attention did not seem to be on the serious reasoning plot at all.

The interaction between the male and female protagonists and various performance techniques are the motivations that attract her to watch.

Generally speaking, reasoning works will be a bit boring to read after knowing the truth, but this is not the case in "Classic Literature Society Series". Reasoning is really just like what Xu Rui said in the interview, it is just an element of the plot. Perhaps Lin Shuyi was still thinking about the puzzles in the animation when she watched it for the first time, but after she learned the answers the second time, she focused on character description.

And the viewing experience brought about by this has not been reduced in the slightest.

Lin Shuyi can see Tian Qian'ai's body curve in the animation, she can also see the subtle changes in Feng Zhemu's expression when facing the girls, and she can even see the specific movements of passers-by in the background when the protagonist and others are talking.

There are so many details in the whole work. When watching it for the first time, Lin Shuyi can only notice the dialogue and the performance of the puzzle. After watching it for the second time, she can see these details clearly. After savoring carefully, she can actually see different stories.

These are things that cannot be reflected in text scripts. They belong to the language of pictures and shots, and they are the artistic expression of animation.

Before, Lin Shuyi thought that Xu Rui was only good at creating reversed themes, but he did not expect that his research on pictures was so in-depth.

Lin Shuyi was convinced.