The Greatest Showman

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The "Interstellar" media comprehensive review is officially released.

Bad review, one.

In the evaluation, ten.

...

Full marks, ten.

Praise, twenty-eight.

...

I don't look at the comment content for the time being, I can feel it simply from the data comparison. "Interstellar" continues the word-of-mouth trend during the internal preview period. Under the overall pattern of ambiguity and ambiguity, the praise for Nolan and Renly Still has the upper hand - no matter what the personal opinion is, it is undeniable that the completion of the work is still worthy of recognition.

After carefully browsing the content of the reviews, you can gradually find that the main controversy among film critics is whether the "theme of family affection" is enough: too dramatic? Too petty? Too bloody sensational? Or are emotions an integral part of human nature? Is it right to return to humanity itself? Triggers for discussion and reflection already visible everywhere?

This is also the line that distinguishes a moderate review from a positive review.

Leaving aside the debate on the core of the theme, in fact, forty-eight of the forty-nine media have reached a lot of consensus:

The visual effects are really magnificent, the space images are really amazing, the sound effects are really wonderful, and the actors' performances are really good... This is generally the case. Nolan once again showed his keen talent for the camera, the picture, and the editing. A well-crafted work has been successfully completed.

The only regret and the most interesting point is: Nolan's shortcomings in not being good at tuning/teaching actors are exposed again.

Heath Ledger of "Batman: The Dark Knight" completely relied on the actor's own interpretation and interpretation, and the role of the clown he played also became the first actor in history to win an Oscar performance award for a superhero movie. But Nolan's credit is really limited.

This time too.

The core of the entire theme of "Interstellar" is based on emotion, which further highlights the importance of the actor's performance. Unfortunately, Nolan does not have the ability to tune/teach acting skills. In the end, he can only rely on the actor's self-play to complete the role. That's why he relies on powerful casts.

Renly Hall, Anne Hathaway, Jessica Chastain, Michael Caine... This is a very strong cast, with a total of fourteen Oscar nominations and four Golden Man trophies, their There is no doubt about the strength, but the reputation of the performance is slightly different. Some people are full of praise, and some people are crazy about it. The main reason is—

cannot be unified.

Each actor has his own style of performance, but Nolan has not been able to find the same rhythm and connect all the performances in series, which also makes the final picture inevitably unbalanced, especially the difference in performance strength and rhythm. It is often easy to make the emotions of the characters rise and fall like a seesaw, and it is impossible to form a unity, which further amplifies the drama of the emotions and leads to the strong accusation of "soap opera".

The result is naturally that some people like to complain about it.

James Roche of The Playlist, though, is bound to disagree with the other critics:

"Maybe 'Interstellar' wasn't perfect, but Renly-Hall proved once again that he was."

"This is definitely not Christopher Nolan's best work, and it is still far from the best; but undoubtedly, this is Christopher Nolan's exploration out of his own safety field, trying to broaden his understanding and mining of movies, and The only reason this expedition has been successful is because of Renly Hall!"

"Hall, Hall, Hall! Renly Hall has proven once again that he is one of the best actors of our time! Every look on the big screen vividly interprets the emotional change, and his performance empowers the character. True vitality, it is hard to imagine what 'Interstellar' would be like without Renly Hall."

"I really don't want to go on complimenting Renly Hall anymore. Those compliments are callousing and even starting to get annoying. But the truth is, Hall has once again proved himself as an actor under 30. He is irreplaceable. Delicate and profound performances truly illustrate the vastness of Othello."

"If in this world, pick an actor, sit in front of the camera and talk to himself, talk to himself, for ninety minutes, and the audience has to sit there and watch it. My first choice will always be Renly -Hall! Did anyone notice a stop and a turn by Renly Hall in the opening phase? That's the story."

"Favorite passage in the whole film: Renly Hall's eyes. In the most important turns of the whole film, Renly Hall's eyes have become the finishing touch on the whole big screen, simple and profound, Powerful to the point. Honestly, I can't think of a better word to describe him."

"Being able to go beyond the cover of directing and special effects in a commercial film work, to give a sharp and profound performance, the last time he appeared in Nolan's work, the actor was called Heath Ledger."

...

James Roche didn't like Renly's performance, not because Renly's performance was disappointing, but because of the homogeneity of "Interstellar" and "Gravity", and he expected Renly to break through himself; but apparently , James - Roche's ideas have not been able to get the recognition and support of colleagues.

Praise! Praise! Still praise! One after another, I couldn't stop. Even the media that gave the middle review did not hesitate to praise themselves. Considering that this is a commercial film, it is even more incredible. That

So, is this a good thing or a bad thing?

The haters are bound to think that this is another routine "commercial tout". Maybe Renly's performance is really good, but how can the point of a commercial film be performance? It could be special effects, it could be story, it could be protagonist charm, but... acting? Are you sure this isn't a joke?

The supporters don't care, because Renly has proven himself to be good again and again, with acclaimed performances in Fast and Furious 5 and Edge of Tomorrow. , then why not in "Interstellar"? Maybe other actors' performances in commercial films have not been able to shine, but that doesn't mean Renly can't, let alone the case of "Gravity" not long ago.

This is a good thing and a bad thing.

But it is undeniable that the comprehensive media reviews have once again demonstrated the unmoved firmness of professional film critics-aside from the negative remarks in the awards season, in fact, film critics have no doubts about "Gravity" and "Drunken Country Ballads". The affirmation has never changed, and this is a strong point of support for Renly's fourth consecutive Oscar nomination. Now, film critics have remained relatively objective and praised Renly.

After the trough of the awards season and the missed Oscars, people are still looking forward to the high-profile "Boom Drummer" at the Sundance Film Festival, and looking forward to this work becoming a shining moment for Renly to show the charm of the actor ; But who would have thought that "Interstellar" took the lead in completing such a feat in the summer, showing Renly's strong control over the performance in the shell of a commercial film, and won a round of applause again!

The recovery momentum has come so fast!

But if you think about it, strictly speaking, Renly has never really fallen into a trough or got into trouble, so there is no way to talk about "recovery".

The praise and pursuit of "Interstellar" is more about giving Renly the treatment that Renly deserved after a brief bump and bump. In terms of the status of the industry, the space for continuous "breakthrough" is really limited, and it is enough to return to the original position.

From the confusion of negative and moderate reviews to the heat wave of positive reviews, the comprehensive media reviews of "Interstellar" made their debut under the spotlight. The comprehensive reviews of forty-nine media finally settled at 79 points. Being able to cross the 80-point threshold and be among the "excellent" ranks is also the lowest comprehensive review by the media since Renly's "detachment".

But is seventy-nine really too low? To be precise, it should be that Renly's works have a high standard of praise, which can be seen by comparing Nolan's other works horizontally.

"Memory Fragments", eighty points.

"Deadly Magic", sixty-six points.

"Batman: Mystery of Shadows," 70.

"Batman: The Dark Knight," 84 points.

"Batman: The Dark Knight Rises," 78 points.

"Inception", seventy-four points.

In other words, the comprehensive media review of "Interstellar" ranks third among Nolan's personal works, second only to "The Dark Knight" and "Memento", and easily surpasses "The Dark Knight Rises" and "The Dark Knight Rises". Inception", such a score is already very rare, and there is no doubt whether the reputation of film critics is good or bad.

In addition, you can also put "Interstellar" in the summer file this year, and compete with commercial film competitors released at the same time. Where can a 79-point media comprehensive review be placed? It is also clear.

"Captain America 2", seventy.

"Rio Adventure 2", forty-nine points.

"Transcendental Hackers," forty-two points.

"The Amazing Spider-Man 2", fifty-three points.

"Godzilla," sixty-two points.

"X-Men: Days of Future Past," seventy-five points.

"Sleeping Curse", fifty-six points.

It has been two months since the opening of the summer program. There are only three large-scale projects with a production cost of more than 100 million yuan. There are only three works that have passed the comprehensive evaluation by the media. "X-Men: Reverse the Future" is currently the king of word of mouth. Captain 2" followed closely, and "Godzilla" barely reached the landing level.

Now, "Interstellar Crossing" is on the stage. The evaluation of this work with 79 points has easily surpassed many competitors and has become the work with the highest comprehensive evaluation by the media so far in the summer season, which once again proves, "Nuo The combination of Lan and Renly" is still the guarantee of the reputation of the work!

Previously, Warner Bros.’s announcement of the movie’s release caused countless speculations, and some people even thought that “Interstellar” was abandoned because of the poor quality of the finished product, and it was likely to become the first Waterloo in Renly’s career; But now, all the secrets have been revealed:

This is still one of the most worth watching and most notable works in the summer of 2014!

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