The Greatest Showman

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The gray dust slowly fell like a drizzle, and accumulated little by little on the bookshelf. The books, models and shelves were all covered with a thick layer of dust. The flying dust presents the grace and beauty of snowflakes, but with the passage of the camera, the barren and decadent, gloomy and lonely world is slowly laid out in the audience's field of vision.

"At that time, my father was a farmer, like everyone else at that time," an old woman with white hair said in an interview. "Of course, he was not a farmer from the beginning."

Cooper used to be a pilot. There was an accident during the flight, the aircraft lost control, but he desperately tried to save the situation, the commander took over control of the aircraft through the computer; then the aircraft crashed, he lost his title and could no longer Keep flying. Then he became a farmer.

"dad?"

That experience became Cooper's nightmare, lingering, always struggling in the dead of night, but not wanting to wake up his little daughter again.

After waking up in sweat, Cooper raised his eyes and glanced at his daughter, then closed his eyes tightly, hiding his vulnerability, "Sorry, Murphy, go back to sleep, baby."

"I think you're a ghost." Murphy stood at the door of his father's room, stubbornly refusing to leave.

"No." Cooper turned around and faced the ceiling, leaving only one side of his face facing his daughter, then raised his hand on his forehead to hide his eyes and expression, and said in a hoarse voice, "World There are no ghosts, baby."

Murphy folded his hands on his chest like a little adult, "Grandpa said you can find ghosts!"

Cooper turned his head, the light in his eyes loomed in the darkness, and then the corners of his mouth rose, "Maybe that's because my grandfather is about to become a ghost." He joked, smiled at himself, and turned his head again. When he came back, he said perfunctorily, "Go to bed quickly."

But Murphy didn't know to give up, "Did you dream about that crash again?"

"..." Cooper didn't answer. After a long silence, he said slowly, "Quickly move your little ass to the bed, Murphy." There was a strong tiredness in his voice, even the corners of his mouth were raised. Couldn't make the smile light again.

This time, Murphy finally felt her father's weight, and she turned and left.

However, Cooper could no longer fall asleep. He sat up again and sat on the edge of the bed in a daze for a while. In the haze of dawn, his eyes were a little stray. The focus and focal distance seemed to be disintegrating, but it only lasted for a moment. He lowered his eyes and covered all his emotions, then stood up, came to the window, stared at the endless green cornfield outside, his deep eyes fell into his emotions again.

"The wheat is dead." The narration of the interview sounded again, telling the background of the whole story, "When the blight hit, we had to burn it all. But we still have corn, large tracts of corn. But the most common is Dust storm."

"I can't describe it, it's just blowing all the time, and the sandstorm won't stop for a moment." Like a documentary, another elderly woman said in an interview.

And then another older woman, "We sometimes carry a cloth to cover our nose and mouth so we don't inhale too much dust."

"When setting up the dining table, the plates must be placed upside down, and the cups, dishes and dishes are all like this, and they must be placed upside down." This time it was an elderly man.

The opening of the film presents the current situation of the whole world in a documentary style. The accumulated dust, the sand flying all over the sky, the overwhelming sandstorm...even the sunlight reveals a gray depression, dry and sultry, Depressed and chaotic, everything is filled with unnerving gloom, so dead that one can't help but want to vent, even if it's just a few shouts.

This kind of opening is obviously not what the audience expected - the opening of "Inception" is much more interesting. Does it mean that the movie is going to go the "Batman: Mystery of the Shadow" route? But even "The Mystery of Xia Ying" seems to have a better picture quality at the beginning. However, Christopher Nolan's signature is that he is always good at presenting the texture of the story through his own lens language, which also makes the audience more patient and willing to wait and see.

Not to mention Renly's performance.

Many audience members at the scene did not react. Who was that man with a beard, unkempt hair, and vicissitudes of life? Until dawn, the sun shone through the window into the hall of the house, and the middle-aged man appeared again. It was only then that I realized that it was Renly!

After the consciousness reacted, the second wave of accidents attacked again: Renly actually played the father, and he was the father of two children!

Is this...is this really good?

Many of the reporters sitting in the screening room had an ominous hunch: they could finally understand the comments from the previous internal previews—not positive or negative, but a kind of unsatisfactory. The quality of the film itself seems to have withstood the test, but the feedback from the market is in a state of indecision. Just from the beginning of the film, these people in the industry can feel the charm.

During family breakfast, the daughter complains that her models and books have fallen off the shelf again, while the son complains

Sister's claim about the "ghost" hoax - this is the second time ghosts are mentioned in less than three minutes of the movie's opening.

As a pilot, Cooper is a person who believes in science and naturally does not believe in these ghosts. He did not want to get too involved in the topic, but under the warning from his father-in-law, he patiently explained the so-called so-called to his daughter. "Scientifically proven", if Murphy really believes in ghosts, then she should start collecting data to prove her claims.

In just two scenes, Cooper's "absence" can be faintly felt. His bond with his family is undoubtedly deep, but he seems to be escaping those emotions and has never been able to fully immerse himself in it. The lines and performances reveal it. The details, one shot and one action, gradually stabilized the tone of the whole story.

Renly is worthy of being Renly!

Even in commercial films, Renly can still show strong emotional power between gestures and gestures, and then guide the audience into the emotions of the story. This ability and strength are second to none in Hollywood; and when Renly Encountering with Christopher Nolan, Renly can easily make up for Nolan's emotional shortcomings and make up for the missing parts of the character. At least from the beginning, the cooperation between Renly and Nolan can see the effect. coming.

"Interstellar" is obviously not the summer sci-fi movie that the audience expects. It is more like a small-cost sci-fi independent work such as "Moon", "Beast" or "Doomsday". It is based on emotion and presents the apocalypse. Human self-entanglement, showing a touch of warmth by describing despair.

In the opening stage, the movie spends a lot of space to present Cooper's life, and more is the relationship between Cooper and a pair of children, especially his daughter Murphy.

He patiently explained the reason why Murphy adopted the "Murphy's Law" for his daughter's name; he took Tom and Murphy to chase the drone of the Indian Air Force, trying to decipher the reasons for mitigating the sandstorm; he told Murphy how to use it He communicated in Morse code; he fought with school teachers and leaders for his son to enter university in the future instead of becoming a farmer; he inadvertently mentioned that his wife died of malignant tumor...

and so on.

It's a really weird look.

If this were an independent art film, audiences would be more than happy to sit back and watch, and it wouldn't be the first time they'd seen Renly's artwork anyway, would it?

But the problem now is that the audience is looking forward to a popcorn commercial blockbuster, or a brain-burning sci-fi blockbuster, but as a result, they see trivial parents short-sighted, and the anxiety caused by the gap between this expectation value and expected value, But it is wearing away the patience of the audience bit by bit——

At least that's the case with most viewers.

The only interesting part is that the film directly "modifies" history, complaining that the Apollo program is a hypothesis, and the moon landing program is a show, which is entirely a political/political activity to bring down the Soviet Union. When the teacher in the movie told the "facts" seriously, the audience laughed lightly.

Can this be regarded as Nolan's personal bad taste?

However, that's all there is to it.

The reason why the audience still maintained the last trace of patience at this time was because of their trust in Nolan and Renly, whether it was Nolan's "Batman" series and "Inception", or Renly's "Edge of Tomorrow" Unlike "Gravity", these works are not commercial blockbusters in the traditional sense, but they can still bring audiences an incomparable viewing experience in different ways, which makes everyone willing to keep watching with patience.

Then, the movie finally takes its first turn.

Cooper and Murphy witness the chaos on the farm together, with the compass and compass failing; and then witness the chaos in the room together—books and models are scattered erratically, apparently not by Murphy on purpose.

"I counted the spaces on the bookshelf, what if the ghost wants to communicate with us? I'm trying Morse code now." Murphy's answer still failed to attract Cooper's attention, he tried to be more scientific method to find out the reasons behind this series of abnormal phenomena.

An unprecedented huge sandstorm hit, the whole world was plunged into darkness, and visibility was even as low as five yards.

The audience in the screening hall of the Chinese/Chinese Theater finally cheered up: the first turning point they were waiting for has come!

Then, Cooper and Murphy saw that the room was like a sandstorm fairyland, with countless lights and shadows intertwined to form a maze!

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