The Greatest Showman

1890 Outside the gate

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It may be hard to believe, but the truth is, the filming scene looks a little stupid, not specifically those scenes that can be perfected by computer effects in the post-production, even the ordinary performance scene- —

One or more actors, surrounded by the entire film crew, enter the state of another character, show the story of another world, and immerse themselves in their own emotions such as joy, sadness, joy, pain, etc. Love presents the state that the story shows.

But the point is that all the crew are in a real world environment, haunted by cameras, tracks, microphones, etc., which also forces them to detach from the scripted world and clearly understand that this is "acting" , or it is a false state, which naturally creates a gap between reality and illusion.

The bigger the gap, the more stupid it feels, especially for those popcorn visual effects blockbusters that have to be performed against the air, when the crew watched the filming process, it really felt that way.

It's like the movie "The Truman World": everyone knows it's fake, except Truman. So this creates a sense of heightened disparity, the kind of God-outside-of-the-world perspective that can often bring about a unique feeling—a stupid absurdity to begin with.

This is a common reaction of normal people, and it is also a normal reaction that every ordinary worker who enters the Hollywood film industry must overcome:

They have to convince themselves to stay focused, or convince themselves to get used to it, otherwise the work on the set won't work.

But Chen Zihao and Melanie are not professionals. They are just melon eaters who come to guest occasionally. At this time, they are standing in a crowd of staff, surrounded by countless shooting equipment, and the whole atmosphere is emphasizing: this is shooting Spot, it's fake! Coupled with the fact that the stuntman in front of him was lying on the ground, wearing a headgear, holding a wire, and his body proportions were seriously uncoordinated, every detail was breaking the mystery, reminding them in every way that it was fake!

It feels like an inferior version of magic revealing secrets, not only has no sense of mystery, but also throws out the truth in a clumsy way, and even the revealing has no gimmicks or texture, which makes people unbearable to look directly at it.

In such a situation, seeing Renly and Bryce still showing serious expressions of sadness and seriousness, Melanie really couldn't help but burst into laughter: It's really stupid!

She didn't mean it, she really didn't mean it - she knew that this was the filming scene, everyone was working hard, and it was definitely not a joke, but the crude picture in front of her was really hard to keep her focus. She felt that her willpower had reached its limit.

However, all the staff at the scene were holding their breath and staring intently, which made Melanie a little helpless, so she could only ask Chen Zihao for help.

Raising her head, Melanie saw Chen Zihao's eyes also showed a look of astonishment and surprise. A shallow smile was already on the corner of her mouth, which made Melanie immediately cheer up, and pressed Chen Zihao's arm with her elbow, forcefully. Holding back his smile, he said silently with his eyes: This scene is really funny!

Chen Zihao also nodded in agreement, but he was different from Melanie. He didn't want to miss the opportunity to watch Renly's performance so closely. Although the scene was really funny, his attention remained on Renly. On his body, he carefully explored and searched on the monitor screen - he didn't know what he was looking for, but subconsciously felt that this should be the right way.

Through the photographer's lens, Chen Zihao's attention gradually focused on Renly's eyes and expressions, and those simple and absurd scenes became natural, because all his senses were concentrated on Renly's On the body, things gradually began to become subtle.

"Look!" Chen Zihao didn't say anything, but raised his chin, gestured to the eyes on the monitor screen, and then kept quiet.

Melanie still couldn't get rid of the laughter in her mind, but she also knew that the opportunity was rare, so she turned her eyes to the TV screen. Quan was watching the crowd, and then she heard Chen Zihao's voice whispered again. ,"look."

what to see?

Melanie's eyes still didn't leave the monitor screen, but all her attention was on the brachiosaurus headgear, which was too much of a show to get rid of, and then looked at the sadness in Renly and Bryce. , that kind of joy kept her from being able to enter the play——

It was as if Renly was in grief holding a rubber hood. That's not sadness, that's neurosis.

But along with Chen Zihao's voice, Melanie gradually noticed: noticed those details, because all the focus of the whole picture was on Renly and Bryce, and she couldn't ignore those details, so she naturally entered within the field of view.

His right hand lightly and tenderly touched the long neck of the Brachiosaurus, and his cautious movements seemed to be worried that his touch would alarm the injured creature, and even his eyes softened, his focused and devoted gaze was light It landed on it lightly, revealing a trace of sadness and heaviness, and then it was fleeting, hiding all the pain, and the eyebrows became firm again, but still did not dare to increase the movement, lest I disturb it. its rest.

Yes, Melanie still can't ignore the huge lethality of the rubber hood, but she can capture the true feelings of those eyes and that face.

.

Even if it was a rag doll, even if it was a rubber hood, his emotions were real. Just as many people cannot understand treating dogs or cats as family members, there are also people who cannot understand treating their toys as part of their memories, no matter what those carriers are, but what is certain is that the true feelings The weight is common enough to impress everyone.

Like "Air Doll Love," Ryan Gosling's character takes an air doll as his love, not because he's crazy, but because he faces the world in his own way. I don't understand, but it doesn't mean I have the qualifications to ridicule or despise.

Melanie's smile just stayed on the corner of her mouth, and finally disappeared slowly, her eyes could not take her eyes off Renly's face, that calm face concealed all emotions, no grief or sadness, only faintly revealed. Heavy, but the gentle movements of his hands tell so much.

He gently soothed the wounds of Brachiosaurus like this, as if using the warmth of his palm to ease the pain of those wounds, his drooping eyes couldn't capture the emotions in his eyes, but the faint struggle between his eyebrows made people feel anxious. ——

What disaster did he go through? What pain did you face? In the face of pain and life and death, his almost numb forbearance reveals the softness in his heart. Only a soul who has truly experienced life and death can understand the lightness after being so heavy that even a single breath is worried that it will become harm. .

Melanie's chest was slightly stuffy like this, not too obvious and not too painful, but she always wanted to spit out that dirty breath, and then a touch of sadness lingered at her fingertips, and the sincere and heavy emotion broke. The absurdity of the scene fell gently on Melanie's shoulder.

As a layman, standing outside the crew and outside the performance, Melanie didn't understand what was going on, but she was able to capture the most sincere and sincere emotions, passing through the camera, breaking the shackles, Ignoring the crew, it was passed to her chest like this, and then a slight bitterness appeared on the tip of the tongue:

It's not the power of cinema, it's the power of performance.

Only after a close look at it can we understand the purity and power of that power, as well as the fatal attraction of that power.

Owen gently stroked/touched the long neck of Brachiosaurus, turned his head slightly and stared into the eyes of Brachiosaurus, without speaking or expression, just silently using movements and body temperature to make Brachiosaurus feel a touch of warmth, but the pain of Brachiosaurus But he passed it on without reservation, which brought Owen's upper body slightly closer, and said softly, "It's over. It doesn't matter, it's over."

The whispers were almost inaudible, but they were able to capture the fragility of the bruised body.

It's about to end.

It's not a comfort, it's a relief, and that's because Owen knows better than anyone that the torment of pain is far more terrifying than death, and the pain of dying is enough to tear the soul apart, and any one Living things are like that, so the best consolation in the final moments is not "it's okay", not "everything's going to be alright" but "it's going to be over".

Behind the simple sentence, it revealed too much heaviness.

Claire also stepped down from the passenger seat, and stepped forward full of confusion and doubts. Her eyes first fell on Brachiosaurus, and then on Owen—she could feel Owen's repression. The emotions beneath the surface were not turbulent, but heavy. Such a scene was really too familiar, but she never really felt the same way, and then her eyes came to the dying Brachiosaurus again.

She could feel the connection between Owen and Brachiosaurus, but she couldn't tell the reason. She could only approach carefully step by step, lest her recklessness would break the balance here, and then she saw the look in Owen's eyes. Gently, stroking/touching the head and neck of Brachiosaurus, the gentle hand movements are like caring for a newborn baby, the holy light in the bottom of his eyes is extremely focused, and he is escorting Brachiosaurus on the last journey with all his heart.

Claire seemed to understand something.

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