The Creator of the Second Dimension

In December, after the first snow fell in Ningjiang, the air quickly became cold.

Lin Shuyi's cold just recovered, and she almost caught a cold. Fortunately, her work was not too stressful, and she rested at home for two days plus a weekend, and finally she didn't fall down again.

But Zhu Wuhang is miserable.

As soon as he helped Xu Rong recover from his illness, he lay down by himself, and caught up with the sudden drop in temperature, he had to go to the hospital to hang water for three days before he could barely recover.

The heater in the office had been turned on early, and the hangers beside it were full of coats and coats. Every afternoon, after lunch, Lin Shuyi, whose blood was concentrated in his stomach, was drowsy, and there was nothing he could do with the little nap time. satisfy.

Sleepy in spring, tired in summer, tired in autumn and hibernating in autumn, you should have a good sleep in the warm bed in winter!

"Uh-huh!"

Thinking of it, Lin Shuyi couldn't help but nodded vigorously.

".What are you nodding?"

Zhu Wuhang on the side wore a mask, drooped his head, and still looked like he was dying. He held a pen in his hand, and when he saw Lin Shuyi suddenly stood up and nodded, he looked at her with the eyes of caring for disabled children.

"I, I, I just thought of a way to draw an action!"

Lin Shuyi prevaricated and didn't elaborate, just got down on the knees and continued painting.

What she is drawing is the original painting of the later period of the "Classical Literature Society Series". Due to the sufficient construction period and sufficient funds, the production of this animation is quite exquisite.

According to some viewers, if you want to see the exquisiteness of an animation, you need to look at the reflection in the water and in the mirror.

As for the screens of "Classic Literature Society Series", not to mention the reflections on the water surface, even the reflections in the pupils can be seen. When the main characters are talking, the background characters will also have their own actions. The whole screen is completely Three-dimensional and vivid.

Although it does not mean that every screenshot can be used as a wallpaper, but the animation of the "Classic Literature Society Series" does achieve the ultimate in the details of the genre of "animation".

Even when I asked about it, some big Vs who had studied movies began to care about this animation. Each episode was pulled individually, discussing performance techniques, explaining script ideas, and gained a lot of likes.

Xu Rui has just completed part A of the last episode, and there is only a draft of part B, which has not yet been finalized.

In part A of the storyboard, Tian Qianai needs to participate in a large-scale local traditional celebration, put on Chinese clothes, and walk on a fixed road, but there is no one behind to help hold an umbrella, so she calls and hides at home Energy-saving Feng Zhemu.

On the way to the preparation site, Feng Zhemu found that the established road had already begun to be repaired, and after some reasoning, a new road was determined.

The storyboard of part B is the experience of Tian Qianai and Feng Zhemu at the celebration. Xu Rui has nothing to worry about here. The key is that after the celebration is over, the two change back to their original clothes, and Tian Qianai and Feng Zhemu go home together. the plot.

In the original "Bingguo", here the heroine tells some things about herself, and at the end she wants to "introduce here" to the hero. Respond to the heroine in the same implicit way, wanting to "help her solve problems related to business management", but this is just imagination. In the end, the hero still didn't speak, only said "it's getting cold".

When the heroine heard this sentence, after a brief hesitation, she still showed a smile and told him "No, spring has come".

This part of the performance is the part that Xu Rui is most concerned about, and there are also certain entanglements.

If the original plot is followed, there will inevitably be some regrets, because when the animation of "Bingguo" was broadcast, the original novel hadn't been finished yet, and the follow-up plot is enough for the hero and heroine to continue to develop.

But at present, Xu Rui's plan is to end the film, and he is not planning to make a follow-up story, because the plot of the original work after this is slightly low, which is not suitable for animation.

So here it becomes a tangled point.

If the male protagonist Feng Zhemu just agreed to confess, then although the whole animation has a happy ending, it will lose a bit of charm, but if it is copied as it is, such a youth will inevitably feel a little regretful.

Therefore, Xu Rui's pen stopped here until he went home at night.

At ten o'clock in the evening, Xu Rui was sitting on the sofa, holding a book explaining film shots in his hand. He has been studying film shooting techniques recently. A more in-depth and thorough analysis of artistic language.

Yi Qianqian came out of the bathroom. She was wearing winter pajamas with a cat pattern, and was wiping her wet hair with a towel.

"Let me blow dry for you."

Seeing this, Xu Rui asked Yi Qianqian to sit beside him, and he took out the hair dryer from the drawer, plugged it in, and turned on the switch.

His hands ran across Yi Qianqian's hair that was stuck together due to the wetness, making it gradually dry in the hot wind.

Yi Qianqian was like a cat, sitting obediently on the sofa, letting Xu Rui blow behind her.

When the fat orange cat heard the sound of the hair dryer, it immediately hid away and stared at Xu Rui very vigilantly. It seemed that it was dissatisfied with forcing it to take a bath.

Yi Qianqian's hair is very long, and it takes a long time to dry it. Xu Rui wanted to take this opportunity to discuss the storyboard of the last episode, but he didn't want to bother Yi Qianqian with work after get off work, so he didn't say anything in the end.

"Did you draw the storyboard for the last episode?"

However, Yi Qianqian asked, which surprised Xu Rui a little.

"Did I make it that obvious?"

He asked, his fingers inadvertently touched Yi Qianqian's small ears, causing the woman in front of her to tremble slightly.

"It's not your style to take so long to storyboard an episode."

Yi Qianqian replied, her fingers were wrapped around a strand of dried hair, and she kept circling.

"Yeah, the ending has never been easy to decide."

Xu Rui then told Yi Qianqian his thoughts, including the two ending plans.

Her hair had already been dried, and Yi Qianqian turned around. With her loose hair, she had a soft temperament that was rarely seen in ordinary times. She blinked and looked at Xu Rui.

"Which one do you prefer?"

"me?"

Xu Rui put down the hair dryer, thought about this question seriously, and then answered.

"I think the ending without confession is more in line with the overall tone of the work."

Yi Qianqian nodded slightly, with a smile on the corner of her mouth.

"It fits your character very well."

"Yeah?"

Xu Rui felt a little relieved when he thought about it, and continued.

"The "Classic Literature Society Series" itself is an animation that tells the meaning behind the words. Too straightforward expression will destroy this implicitness. Besides, isn't it easier to remember youth with some regrets?"

"Looks like you have an answer."

Yi Qianqian said, little ripples appeared in her eyes.

Outside the window, snow is still falling.