Robust Mage in One Piece

Chapter Thirteen: Instance Settings for the Little Ones

The reason why a few little guys come in from the outside after the actual combat training is over is because their actual combat training place has changed. Lion Shiji came to serve as their sparring partner.

Because after such a long time of fighting, the little guys are already very familiar with each other, and the fighting has not played a very good role, and whether it is Erha or Golden Lion Shiji's strength compared to the little guys They are all too strong, no matter how hard a few little guys struggle, they will be instantly killed. If this kind of battle is fought too much, it will easily damage the children's self-confidence!

Most importantly, the dungeon that Kong Ming had been thinking about before was finally completed.

Inspired by the complete annihilation of a few little guys by the old Rob and his group, Kong Ming now finally has a mature idea of ​​how this dungeon works. So one month after capturing the port of Tatuka, this Kong Ming gave high hopes to record the dark history of these children of the world... The copy of the footprints of struggle was finally completely completed.

Originally, Kong Ming's idea for the dungeon was the common pattern of killing monsters and dropping treasures in previous online games, but after these little guys were completely wiped out in Tatuka this time, Kong Ming discovered a misunderstanding in his previous thinking.

Compared with their original trajectory in history, these little guys now have a lot more strength and a lot more knowledge, but they are lacking in some other aspects.

For example, Jianghu experience!

In the original history, Ace and Sabo should have lived in the garbage mountain, accumulating wealth by robbing gangsters and stealing pirates, and preparing for their own sea trips. In the process, they will inevitably come into contact with some ghosts of the human heart.

Kong Ming believed that if Ace and Sabo had not been brought back to the Azeroth Chamber of Commerce by a certain Erha in the past few years, then even if their two strengths were worse than now, it would be impossible for the old Rob and his gang to attack them.

But now that these little guys have been brought here, Kong Ming has to take responsibility and give these kids more experience!

So Kong Ming completely abandoned the previously prepared mode of killing monsters and dropping treasures. Instead, he set up a village not far from the entrance of the dungeon. Behind the village was a spooky catacomb. In the village, Kong Ming placed a group of villagers with normal-looking paintings, such as a middle-aged man who looked like an old woman, a child with a bandaged face due to illness...

And in the catacombs, there are a bunch of guys who look like bad guys, for example, a zombie captain who just got out of the cemetery, an evil pirate with eyes covered and wooden legs, a certain A blue-haired, white-faced Frankenstein who can pretend to be a ghost, some horny gorilla, etc...

That's right, in order to train the little guys, Kong Ming donated all his volunteers for free, and even captured the actors who almost wiped out the little guys.

In fact, Kong Ming originally planned to kill all the actors who almost killed the protagonist group.

But Ace and Luffy instead ran over to plead for these actors, although they said they wanted to save their lives and waited for themselves to defeat them in person. But Kong Ming knew in his heart that these kind-hearted little fellows didn't want anyone to die because of their own reasons.

Even if these little guys know that old Rob and his gang don't have a good thing!

Isn't it the same in the original history? Little Luffy and the protagonist group walked all the way, all the enemies they defeated, no matter whether this person was heinous or not, they didn't really kill anyone.

Although Kong Ming is not interested in this almost weak kindness, he is also unwilling to reject these kind little guys.

So after thinking about it, Kong Ming decided to follow the ideas of the little guys and let them defeat their opponents in a fair manner. And it won't work if you win once or twice, don't these guys like acting? Then let them play enough!

Regarding the control of proportion, Kong Ming gave the old Rob and the volunteers the order that it is okay to strike, but not deadly!

As for whether these actors and volunteers will fake the show for real...

Kong Ming didn't care at all.

Not to mention that when the dungeons were played, the little guys all had the buff of returning to the city with injuries. Even without this, those volunteers wore explosive collars on their necks and electric shock collars on their hands, and the little guys' The process of breaking through the level is broadcast live through the video phone bug. If they are not afraid of death, they can try to get some moths!

Although there are many people in this world who are not afraid of death, Kong Ming believes that these volunteers who have been assisting him in various human body researches are definitely not the kind who would rather die than surrender!

As for old Rob and the others...

If they would rather die than surrender, they wouldn't be able to survive now!

The only one who is not afraid of death is probably the resurrected Captain Zuku, so before sending Captain Zuku into the dungeon, Kong Ming had a good talk with Captain Zuku and told him about the structure of the undead. As well as the generation of the soul, by the way, Kong Ming also captured the soul of Captain Zuku to experience the power of the spirit-binding array...

After a long and friendly talk, Captain Zuku felt remorseful, and directly expressed his desire to change his mind and start again... Undead!

Of course, Kong Ming is also a very kind person, so in the end, he simply asked Captain Zuku to sign a contract, and the mandatory recruitment of Captain Zuku as Xin Duoli's contracted undead was over.

The most important dungeon process, Kong Ming first set up more than forty scripts in the first phase, and each script is different.

In these scripts, there are villagers

Although they look like good people, they are actually a bunch of ogres, and the zombies and Frankensteins behind them look like bad people, but they are actually persecuted by the villagers and driven out of the village, poor people with nowhere to go insect.

Of course, there is also a scenario where the situation is reversed, the villagers are the good guys, and the zombies and Frankenstein are the bad guys!

But no matter what the script is, there will be a final boss in the middle of these scripts. But the identity of the final boss is not fixed. In this script, Frankenstein may use zombies to destroy the world. In the next script, it may be the old pirate who wants to steal the treasure for himself.

In order to increase the difficulty, each of the forty or so scripts has some slight variants. For example, today the dwarf may be an accomplice of Frankenstein, and next time it may be that the witch conspires with Frankenstein.

This ensures that a few little guys can't rush into the dungeon without thinking, and they can pass the level by knocking all the things that block them into the air. They have to understand all the plots in depth every time, and then peel off the cocoons from various clues that are correct or wrong, or simply to mislead them, and find the real boss before they can complete the level.

Moreover, in order to ensure that the actual combat training of the few little guys has enough combat volume, Kong Ming also very considerately set several key clues in each script so that only when certain force conditions are met, the actors will tell the clues. come out.

And this so-called certain force condition includes defeating the guardian of the golem next to the actor, directly defeating the actor himself, or himself and the golem together, or all the bad guys gather together to encircle them, etc. It takes force to do so. solved problem.

In short, this dungeon is a large-scale real-life puzzle-solving game. The little guys can neither rely on force to go all the way, nor can they rely on their brains to reason all the way. They must combine the two correctly.

In order to allow these little guys to develop morally, intellectually, physically, aesthetically and in an all-round way, Kong Ming felt that he had broken his heart!

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