Entertainment Godfather

"Didn't you watch?"

"Of course not, time doesn't allow it."

It was not until two days ago that Luoyang wrote this work called "The Three-Body Problem".

Then Hua Qi started running around, and the machines of countless printing plants owned by Shuimu Culture were roaring. The workers followed the boss's orders and worked crazy overtime day and night, and finally made "The Three-Body Problem" come out.

Hua Qi sent the printed "Three-Body Problem" to Luoyang without much rest.

Taking over the brand new physical book of "Three-Body", Luoyang said: "Three-body is a term for celestial mechanics, which refers to the mechanical relationship composed of three particles and their mutual gravitational interaction. It mainly refers to three stars with similar masses... "

Hua Qi has always felt that she should be fairly well-read.

But when she listened to Luoyang explain the specific meaning of the three-body problem, she couldn't help but feel confused.

This series of professional terms probably requires an astronomer to understand, as even a top student can turn into a scumbag in a matter of seconds.

However, Hua Qi was quietly relieved. At least judging from the boss's current reaction, he was still very confident in this new science fiction work called "The Three-Body Problem".

Then as long as you make sure that the boss is not rushing the new work to get it on the shelves, then everything will be fine.

You must know that this boss of yours will not fight an uncertain battle. This work called "The Three-Body Problem" will definitely not disappoint the world.

Hua Qi couldn't understand just the explanation of the Three-Body Problem from the perspective of celestial mechanics. The more in-depth the explanation, the more confused Hua Qi would be, because the Three-Body Problem in the book represents an alien civilization or even a game...

Luoyang stopped to explain and silently opened "The Three-Body Problem" which exuded the fragrance of ink.

A faint smile appeared at the corner of his mouth. In his opinion, at a time when Dragon Kingdom is shrouded in the "death theory of science fiction", the work that can best save the world is Liu's "The Three-Body Problem"!

A timeless classic.

China's first science fiction masterpiece.

This work has countless labels representing glory.

Its author, Liu, has won all the top domestic awards such as Galaxy Award and Nebula Award.

In his previous life in Luoyang, on August 23, 2015, Liu Cixin won the Hugo Award for Best Novel at the 73rd World Science Fiction Convention, becoming the first Asian science fiction writer to win the award.

This is the true representative of Chinese science fiction!

He is even qualified to be called the first person in science fiction. His science fiction works such as "Ball Lightning", "Supernova Era", "Chao Wen Dao", "The Wandering Earth", and "Country Teacher" have all set off a reading trend.

The science fiction master Liu Cixi's best work is recognized as "The Three-Body Problem".

Liu Cixin won the Hugo Award, an international award, for this science fiction work called "The Three-Body Problem".

It is no exaggeration to say that the "Three-Body" trilogy is definitely a milestone in Chinese science fiction literature. It pushed China's always weak science fiction to the heights of the world for the first time.

The origin of Luoyang's confidence is precisely based on the absolute masterpiece "The Three-Body Problem"!

And to be sure, Luoyang wrote the entire "Three-Body" trilogy at once - the brand-new "Three-Body Problem" in his hand, which had just been printed, was nearly 900,000 words thick.

This work of nearly 900,000 words covers "Three-Body 1", "Three-Body 2 Dark Forest", and "Three-Body 3: Death Eternal Life".

Of course, Luoyang certainly cannot copy all of these three works. After all, the Dragon Kingdom is not China, and when the "Three-Body Problem" in the previous life was sold on the market, there were two versions of the beginning, one was an electronic version and the other was a physical version.

Although they are said to be two versions, the content is actually the same, but the order of chapters has been adjusted.

One begins with the character Ye Wenjie, and the other begins with the character Wang Miao.

Luoyang chose the electronic version of the sequence, with Ye Wenjie as the main line, and also used a large amount of pen and ink to restore the history of the Cultural Revolution.

The Cultural Revolution is related to Ye Wenjie's motivation for sending coordinates to the Trisolaran people in the early stage. After all, only such a special era can make an intellectual young woman like Ye Wenjie have the extreme idea of ​​letting the Trisolaran people rule the earth.

Ye Wenjie's madness is the most important cornerstone of the "Three-Body" trilogy!

This beginning is actually a great test of Luoyang's writing skills, because the Dragon Kingdom has not experienced that special red era.

But this special era in Luoyang had to be written, because this was Ye Wenjie’s motivation for sending the Earth coordinates to the Trisolaran people. If it weren’t for the stimulation of that special era, Ye Wenjie would not have been so extreme.

So after Luoyang thought again and again, he finally adopted a relatively tricky method.

This method is called imaginary in online articles - writing about China's Cultural Revolution in previous lives as imaginary history!

In this way, the people of Longguo can understand Ye Wenjie's motives through the history at the beginning - the result is not bad, at least Luoyang is quite satisfied with the Cultural Revolution he described.

After several years of practice, his writing skills have made great progress.

Although he has not joined the ranks of masters, he is not far behind. It is not difficult to describe an imaginary history that makes readers feel like they are involved.

Of course, the possibility of darkness under the lamp cannot be ruled out. After all, it has not been tested by the market, so Luoyang does not dare to guarantee that if he writes about the cultural revolution in the previous life in an imaginary way, readers will definitely buy it.

"How are you preparing for tomorrow's press conference?"

After closing the cover of "Three-Body", Luoyang looked at Hua Qi and asked.

Hua Qi replied: "Everything is ready. Now the whole country is paying attention to this matter. We don't dare to make any mistakes."

Luoyang nodded. In fact, he started writing "The Three-Body Problem" very early, but it has been in an intermittent state. After all, the "Three-Body Problem" trilogy is close to 900,000 words, and it is not something that can be accomplished overnight.

So even competitions like the Dragon Kingdom Science Fiction Award and the Galaxy Award.

Luoyang just casually wrote short and medium stories such as "The Heartbreaker" and "Country Teacher" to deal with it.

But the plan could not keep up with the changes. With the fall of Wei Long, the science fiction of the Dragon Kingdom was in danger. Luoyang had to devote all his energy to the three-body problem. For this reason, his five online articles were directly discontinued, and there was no time to explain.

The hard work paid off, and as I accelerated with all my strength, the "Three-Body Problem" finally arrived in the new world!

The "Three-Body Problem" in the previous life has won countless honors, but the "Three-Body Problem" in this life is quite like washing away the past and starting over.

Some people may ask why Luoyang must choose "Three-Body" instead of those Western science fiction masterpieces - the reason is simple, because when Dragon Kingdom science fiction is most dangerous, only local-style works are the most convincing!

As an original work written in Chinese characters, "The Three-Body Problem" is the pinnacle of oriental science fiction, so it is naturally the best choice for Luoyang.

(I recommend Ji Youyuewu's work "Super Black Technology", everyone, go and write the second update.)