Ember Gun

  End of volume feedback

  1. Hello, everyone, this is Andlao, your loyal friends who change every day and occasionally not be more random.

  2. As you can see, the fourth volume of the book is finally over. There are a lot of things to say, probably more than the previous nonsense combined.

3. From the perspective of the composition of the entire book, I was surprised to find that the current estimated number of volumes is seven. The first three volumes are about the protagonist’s past, the last three volumes are the protagonist’s future, and the fourth volume is the protagonist’s future. It's a roll in the middle of the transition.

  4. The end of this time is different. The end of the first three volumes can basically be regarded as the end of a unit, but this time the end is the opening, the opening in the future.

  5. As for what the future is, this is the ultimate mystery of the book. After all, this book does not have an upgrade system. It basically depends on my verbal rhetoric and the plot line that runs through the full text.

  6. It’s pretty awesome to think about it this way. I wrote it for so long because of a suspicion.

  7. I am not a person who is very good at writing testimonials, because my thinking is more divergent. I basically write where I think about it. It is a normal state that different logics do not match before and after. Everyone just look at it.

  8. Let’s start with the characters in this volume.

  9. In fact, what I want to try in this volume is a reversal of writing. It is not a reversal of plot events, but a reversal of characters.

  10. For example, all the new characters appearing in this volume, a closer look will reveal that their personalities and ideas when they first appeared on the scene are completely different from those after the incident.

11. I don’t think that abrupt reversal is necessary. It’s better to let it go. For example, the seemingly insidious Hyberde is actually a loyal minister, and Irene, who teased others, will actually fall in love with others in the end. Hu Ao went from ordinary people to faith to angry slaying, the innocent Liya was also in the whirlpool, and the defense of peace actually started the reversal of war, and so on.

  12. What I want to write is a natural "reversal", which is completely different from when it first appeared in front of everyone, and it is not abrupt.

  13. Of course, in order to make the writing smoother, this kind of reversal does not have a strong impact in the text. Otherwise, every reversal that is laboriously described will make people aesthetically tired.

  14, and then back to the main character, Lawrence.

  15. Actually, it was like talking about this very early. To be precise, that is, the shaping of the villain.

  16. In the final analysis, the villain is the person who is in conflict with the protagonist, but what is the cause of the conflict?

  17. I think to describe a qualified character is to write down what he is driven by and what he is a villain for.

  18. For example, power. What do you desire power for? It’s just because I like power and I want power. Well, that’s not bad, but it’s obviously not interesting enough. What about uniting the world? What is the purpose of the villain to unify the world? It's also a reason, but it's obviously not interesting enough.

  19. He always needs a reason to become a villain, stand on the opposite side of the protagonist, and cause conflicts. It is not that I need a villain, just rub one out.

  20. When it comes to the level of fun of the villain, I think the level of fun is related to the reason why the villain becomes a villain and what he wants to do. These examples are the characters that have appeared before.

  21. The other is not interesting enough, but it becomes interesting when it is extreme enough.

  22. For example, Moriarty, it’s just a good thing for him to do evil. He has been evil to the end and never repents, so it seems quite interesting.

  23. Then Lawrence is the most important villain in this book.

  24. Interrupted an interesting news. This is what a group of friends told me that Lorenzo is an Italian variant of Laurence. I checked the Oxford dictionary and it turned out to be true.

  25. Suddenly...the sense of fate has come up.

  26. I have to say that this book is full of inadvertent passages, and all kinds of strange metaphysics have written this book together.

  27. Then talk about the role of Lawrence (the following is copied and pasted from the sticky note, which may be a duplicate of the previous discussion.).

  28. How do you say this? In fact, in my previous feedback, I also talked about some of my writing ideas, such as the "villain" part. I don't really want to write that kind, or a very simple villain.

29. It is probably related to the psychology of wanting to write a group portrait. I am more like trying to write it more independently. For example, he has his own ideas, but because of his different positions, becoming the villain in the eyes of the protagonist is probably treating the same thing. , There are different views.

30. The protagonist is from a perspective, Lawrence is from a perspective, and other characters are from a perspective. It can also be seen as the three lines of the plot. I am not sure whether this can be regarded as a whitewash. I still want to write. Why does the villain want to do this, not to say, it is simple, I want to destroy the world like this.

  31. I’m thinking about how to make this book a little bit different, get out of the scope of fighting monsters and upgrade, and improve it a little bit, such as saving the world.

  32. In fact, when designing the villain, I thought a lot about how to write an impressive villain. Some people say that evil is evil to the end and never repent. So I wrote Moriarty, and I didn’t repent until I died.

33. The other is the conflict brought about by different positions that I thought of not long ago. Of course, this is a bit suspected of being laundered. I have seen everyone’s comments before, but I want to say that it’s not to explain a person’s “evil” The reason for this is whitewashing. I just want to perfect this role. I don’t want to be a "villain" because of a "villain". I also emphasized this in the article. The villains are also very clear that they are not good things, even if they say For "justice" there will be no good end, but this is what he wants to do, this is enough.

  34. Describes the transformation of Lawrence, his purpose, the reason why he can't trust others, and the things he wants to do. Anyone who gets in the way will die.

  35. As I have written in the article, everyone is righteous, everyone is evil, everyone will go to heaven, and everyone will go to hell.

  36. The world is neither black nor white, but a delicate ash.

  37. So in my mind, Lawrence is an extreme terrorist. He thinks good and his starting point is good, but he is extreme and cannot reconcile with others, thus becoming a villain.

38. It's like zombies surrounding this building. Everyone is trying to escape. Lawrence's idea is to turn over everyone in this building first, so that everyone who becomes a corpse will not become a zombie and bite another building. survivor.

  39. Well, this example is really a bit crazy.

  40. The protagonist has to take another path, a less extreme path, such as first killing Lawrence, an extremist, and then finding a way to bring more people alive.

  41, and this is the story I want to write in the last three volumes.

  42. The world is going to be destroyed, why is the world going to be destroyed, and how should the protagonists save the world?

43. Of course, the setting of the destruction of the world will come back. It can be said that all the pits and all the settings in this book have basically come back. I think I am awesome, because when I first wrote it was true. I didn't think so much.

  44. Speaking of saving the world, facing this question, Lawrence's answer is his extreme behavior, and the protagonist has to find another way. Is he a less extreme Lawrence or a Lawrence who can trust people.

  45. So as I said before, this is what I want to write about people's different views on a thing, and because of their own experience and circumstances, they make choices and conflicts.

  46. Do malicious things for noble reasons, and be willing to bear the price for it.

47. Then let me talk about another thing. In fact, according to my original idea, Irene would die on the run. According to my idea, she would use secret blood to stop the enemy, turn into a monster and turn Currie, giving the ignorant red The Falcon takes a knife.

  48. But I gave up for no other reason. The main reason is that this book can be regarded as a relatively repressive dark world setting. It is so bad, there must be some good hopes.

  49. So the girl survived, and the world where no girl was injured appeared.

50. By the way, let’s talk about the reason for the sudden emergence of writing this volume. According to my original plan, there was no such volume, but because I heard two songs, I thought it was not bad. A vaguely character appeared in front of my eyes. , The reason why she appeared, the incident involved behind, which further triggered the story promotion.

  51. This volume was born under various circumstances.

  52, the two songs are Gloria (Live)—MandoDiao, MissJackson—Panic! AtTheDisco

  53. The name Gloria Jackson is a combination of the two song titles, and it is also combined with the content of the lyrics to create an ideal role.

54. There is also a problem with the setting of the plot. In fact, according to my original design, Irene’s should have appeared in the second volume as early as the second volume, but think about it, each volume has a primary and secondary distinction. , The main event, the main character, if Irene is added, it will look messy.

  55, so I put it again and again, it only appears now.

  56. In the original design, it is not Kestrel, but the protagonist, who is ambiguous with Irene.

57. So the problem is here. This is undoubtedly poisonous to some people, ambiguous and even a tauren, and I also feel that the protagonist is too protagonist, all good things are his own, with a cool text The protagonist is the same.

  58. So what should I do? Why not spread out the emotional lines of the characters, such as including supporting roles, in a way of writing similar to group portraits.

  59, and then there is what everyone sees.

60. In fact, what I want to write is a change in emotions and thoughts. I do evil and suddenly understand the beauty. She wants to find the way to redeem, but it is too late. She goes to save Ivar, and finally fails. She came down, but the beauty was no longer. She also wanted to stay, but she could not accept herself, so she left, and continued to search for the way of salvation.

  61. After all, a book shouldn’t be endless hacks and hacks. You should add some other story lines that are in line with the story’s logic and can make it more colorful.

  62. According to my idea, this is the case.

  63. So I think in a story, its role should be changed.

  64, it's like when the character is a funny kid at 10w, it's still like this when it can't be 100w.

  65. Then, what else do you want to say?

  66. So this book is still a web article, not so web article, thank you readers who can read it here.

  67. Then...As usual, the book has been set at 2530 so far. Maybe it will be a good product before the end.

  68. Thank you guys for your support. Every time you subscribe will turn into banknotes that I will use to buy electric heating and electricity bills to help me survive the severe cold in the Northeast.

  69, woo woo woo.

  70. After all, web articles can be regarded as a kind of service industry. I have read your comments and what this chapter says.

  71. Thanks to the readers who helped me pick the typos in this chapter.

72. After the code word is over, I have read the text several times, which made it difficult for me to find the wrong word. Thank you for your feedback. Of course, there is also the old man who kept picking my punctuation marks. This gave me a kind of return to elementary school. The feeling that the teacher corrects the homework, the whole person is a bit younger.

  73, and readers who have been reading it all the time, a rare treasure.

  74. Then talk about some follow-up update plans. I want to be more diligent in the next update, such as 6k a day. Of course, it is more metaphysical. I have to think about the outline.

  75, and everyone thinks I’m going to ask for leave?

  76. No, the leave slips for this month have been used up. Let’s take a break next month.

  77. If you really need to think about the outline, you will probably ask for a leave at the end of this month, and then the leave form will be refreshed at the beginning of the month, and you will take another day or two.

  78. I'm really budget-conscious.

  79. By the way, here is a great article "Old God Cannon Dream".

  80. In this terrible world full of cults and mysteries, I, Colin, just want to quickly get ten tons of gold.

  81. The author's stellar setting is very good. I often discuss it with him, and it’s also a livelier, so please take a look at it.

  82. By the way, now his update is also stable...probably.

  83. To tell you the truth, this is the first time I have written my recommendation. No, it is not. I recommend a certain book every time I pull my hips.

  84. Anyone who understands understands.

  85, and that's probably it.

  86. In the final analysis, the current progress of Embers is more than half of the formality, and the basic tone of this book has been set. What I can do is not to please something, I can only rush all the way to the end according to my original vision.

  87. I will do my best to write the ending of this story.

  88, that's probably it.

  89. I will probably try some new things in the next volume. I'm still thinking about it, but there will be.

  (End of this chapter)