Ace Hollywood

? Harvey Weinstein began to focus.

Roman Polanski - the master of the film's composition - and Daniel Sandler's nuanced performance, the combination of the two is vividly reflected in this moment.

Many big names in the industry who are very familiar with movies can clearly feel that their movie cells are cheering at this time.

That one scene alone is enough to keep the movie alive.

From here onwards, Roman began to unfold a picture of all beings in troubled times.

The dark crowd, the crazy woman looking for her husband, the arrested Henry and the powerful Izzy Chuck—and the old man in a wheelchair who was thrown in the opposite building, and the gun that will be shown many times in the movie—is not because of you It's the resistance, and it's not because of what you did to the authorities, it's just your turn to be on the road today, just because of your Jewish heritage. This kind of massacre is always telling absurd emotions, people seem to be no longer people.

Then Spielman and his family had to be herded into the ghetto, and then, the concentration camp.

In the next understatement, Spearman's parents, sisters, and younger brothers disappeared from his life, suddenly and deserted. There is no sensational plot that the audience thinks, this kind of treatment can even be called neat, and their deaths are so silent and obscure.

Like, like the millions of Jews who died in concentration camps in those days—even when the Spielmans made it into the movie. These Jews went to silence, darkness and death without heroism or any dramatic conflict.

A Polish pseudo-Nazi saved Spearman's life at the last moment.

Maybe he was out of the vanity of being able to save a well-known national pianist, maybe it was because of a good idea at this moment, Spielman was saved by a pseudo-Nazi, not an underground organization, nor a Jewish civilian——Polanski's This setting is obviously intended to blur identity, good and evil, and break the symbol of the group.

Seeing this, Harvey Weinstein has already confirmed that this is an excellent work, worthy of competing for next year's Oscar for Best Picture. But Daniel Sandler's performance should have only just begun, and the foreshadowing is over. The times showed, and then, how this pianist walked alone in such times, struggling to survive. Who will he meet, what hardships will he endure—Harvey feels that he has a kind of anticipation from the bottom of his heart.

The performances here are similar to Emmett in "Pretty Blonde", Legolas in "The Lord of the Rings", Jason Bourne in "The Bourne", and Ian Bourne in "The Greek Wedding". Miller is completely different.

In "The Pianist". Even in the relatively dull period of the previous period,

Harvey can also feel the depth and thickness of Daniel's heart, plain but not superficial, indifferent but not pale.

This is Daniel's coming of age.

Harvey seems to be able to imagine why Daniel would invite friends in the industry to support this movie - even though this movie does not have much box office threat in North America, so everyone has no worries when choosing to come or not . But Daniel sees the film as a new phase in his acting art, and conveys that message to those present with a proud but confident attitude.

At least. So far, he has been successful. Harvey glanced at several big directors and media editors around him.

Sure enough, during the period when Spielman returned to the deserted Jewish quarter and met the survivors hiding under the piano stage, Daniel presented the first performance of the film that can be called "art".

Every stagger of his, every look of his eyes, every blank look around, every absent-minded babble--in the empty and broken background, it's like dancing a solo, or. Play a sad piano piece.

Adrien Brody's performance is slightly inferior to Daniel's, which is most obvious here. Apart from modeling, language, and opponents, Daniel still maintains strength, appeal and strong emotions. But Adrian, who was 28 years old at the time, did not have this skill. His natural talent allowed him to fit the characters with the times with a lot of help, but it was not enough to make the characters themselves reflect the times.

But Daniel can—why he said this is his return and sublimation in acting, because at this moment, the character of Spielman is no longer an invisible background light, but a cold headlight in the center. The former reflects the era and history with humanity. However, it is only an exaggeration and an explanation after all, but the latter is completely different. The light of human nature illuminates the era, and what attracts attention is the deeper shaping and declaration.

Most of the people who are doing it, including directors and film critics, are highly appreciative, and the sensitivity of the slightly inferior media is higher than that of ordinary people, so the entire auditorium, in this performance, can feel it. Daniel's skill lies.

"He's a miracle, isn't he?"

"Perhaps, this is a genius, a person whom God cares about."

When the plot slowed down, there began to be short conversations below—whether it was a film critic or a film reporter, in fact, basically no matter what kind of film it was, it was difficult for them to completely sink in when they were working. This is also one of the biggest difficulties for the producers when they hold professional previews. Because some movies, if you can sink into them, you can feel the charm of 120 points, but most of the invited film critics and reporters can only feel 60 points, and the remaining 40 points If it is ten, it is measured entirely by film theory and inherent judging standards-this is a subconscious behavior that stifles innovation, and it just exists.

Then it's really his one-man show.

How a pianist was reduced step by step to a person who fled the country.

The dirty and ill-fitting shape, the more and more prominent cheekbones, and the gentle romantic eyes, how to become cringe and numb.

Styling and performance combine flawlessly here.

Spielman, locked in the house for safety, is Daniel's new outburst.

The audience can almost see with their own eyes how a decent artist, from having a place to live, to restlessness, silence, lack of food, water, and communication, finally becomes a bearded man whose life is hanging by a thread the desolate people.

Spielman had to flee when artillery shelled the refuge, which was overrun by rebels.

"Polanski was really bold."

Sitting next to Harvey is Steven Spielberg, a great director who has filmed "Saving Private Ryan" and "Schindler's List". , but ultimately failed.

"What?" Harvey turned his head slightly.

"Haven't you noticed that with such a big theme, such a heavy theme, and such a deserted shooting method, he actually dared to rely on one character to shape the entire movie? Daniel has too many one-man shows. If it weren't for Polanski's The technique is so sexy that I even want to wonder if he found a big room, put different background panels, and then found a person with superb acting skills to act out the whole story in this room ,incredible."

Harvey glanced at Steven's expression, there was no sarcasm, but a sense of amazement indeed.

He chuckled a little. "However, he did find a great soloist, didn't he?"

The final rescue of Spearman by the Nazi officers, as well as his own final outcome, was neither a repentance, a worldly drama of wrong testimony, nor a reconciliation, forgiveness and life deal that you save me, I save you—just because , it is what it is, Spearman was saved by an individual Nazi officer who died in a POW camp.

This is the most distinctive feature of the whole "The Pianist".

honest!

Honestly doesn't feel like a movie.

Some important elements of the film are almost lacking, such as endless conflicts, emotional setting and rendering.

"A semi-documentary."

A reporter, Nan Nan, said to herself that when the movie was about to end, she began to think about how to describe the movie in her manuscript.

Regardless, Daniel will be commended.

They clearly feel that Daniel Sandler's miracle will continue, this will not be his Waterloo.

...

As Daniel promised, these big names watched the movie without interviewing or taking photos. Daniel expressed his thanks one by one, made an appointment to see each other, or to attend someone's Christmas party, whose birthday party, etc., and then sent them to the car.

Harvey Weinstein was the only one left.

The meaning is clear.

Tim Rowland commissioned him to do PR for the film, and Good Machine Pictures to do the distribution. The former almost meant an Oscar, or a Golden Globe. "The Pianist" was officially released in March, stepping on the line of Oscars, so it goes without saying that the intention is clear.

"Harvey, how are you doing?"

After being seated again, the staff served two cups of hot coffee. Exxon Cooper, the owner of Oriental Cinema, came to say hello and went to work on his own.

"You really take care of him, is it because of your friendship in "Greek Wedding"?"

Now in the movie theaters in Los Angeles, those who envy Exxon are definitely no less than those who sympathize with Matthew Fox - Matthew has been transferred to the West by Carrick Theaters because of a mistake in "Greek Wedding" Decision-making, which even affected Carrick's basic operations. Many old customers could not see this masterpiece here, so they had to change to another theater. He may think that the new movie theater is also good, and then Carrick's customers began to lose ——This is not a small amount. Considering Carrick's ambition, the gap with the three major theaters, and the importance of Los Angeles, it is quite merciful for Matthew not to be pushed into the toilet.

"How do you like it here?" (To be continued.)

PS: Thank you Susiyu Yu, cn2514, Huwei 19, elfuture00 for the monthly tickets, love to eat rabbits for rewards. Sure enough, it's messed up, don't explode randomly! Ask for a recommendation ticket