A treasure-appraisal maniac

Jin Xin and Yang Shuangwei were frightened to death after learning the identities of the two young men.

Even though one of them is the director of the office and the other is euphemistically called the richest man in Zhongzhou, they are not worth mentioning in front of the families of these two young men.

If these two families want to deal with them, they have so many ways that they don't know which one to use.

The catastrophe for them was dissipated in the bud due to Li Yunhe's timely appearance. The two of them were extremely grateful to Li Yunhe.

In fact, this is completely unnecessary. Even if they are not grateful, Li Yunhe cannot just sit idly by and ignore it.

Today is the day of Li Yunhe's wedding. If trouble occurs on such an occasion, where will the Li family's face go?

In normal times, if Yang Shuangwei dared to accuse Lu Fei, let alone the two elders, he, Li Yunhe, would be the first to refuse.

After the conflict was settled, Li Yunhe greeted everyone and went to the other side to entertain the guests. Lu Fei looked at Yang Shuangwei and smiled lightly.

"Mr. Yang, can I put things away now?"

"Well" .??.

"Boss Lu, you are joking. It was indeed a misunderstanding just now. Please don't mind, Mr. Lu."

Yang Shuangwei was now completely honest.

Lu Fei was a guest of the Li family and the master of a great Chinese medicine doctor. The two incredible young men called him brother Lu Fei.

Such a powerful group of relatives and friends is completely beyond his reach, Yang Shuangwei.

If Yang Shuangwei can't get along with Lu Fei anymore, he won't be a fool, but will be seeking death.

As Yang Shuangwei gave in, the atmosphere completely relaxed.

After such a long delay, the banquet is about to start, and the old people are collecting gifts even faster.

The reason why Lu Fei mistook Wang Xian's Ke-type stove just now was not because Lu Fei was greedy for money, but because there was something wrong with the Ke-type stove.

Lu Fei was thinking of finding a quiet place to study the furnace when he was stopped by Yang Shuangwei.

"Mr. Yang, do you have anything else to do?"

Yang Shuangwei took out a painting tube with a flattering look on his face.

He smiled at Lu Fei and said.

"Mr. Lu, this is my congratulatory gift to Mr. Li. Could you please show me if this painting is authentic?"

"Can Mr. Yang trust me?"

As soon as Lu Fei mentioned looking at paintings, he immediately became interested.

Lu Fei really wanted to see what kind of gift the richest man in Zhongzhou had prepared for Li Yunhe.

Yang Shuangwei said with a wry smile.

"Mr. Lu, the misunderstanding just now has been explained clearly. Don't you mind?"

"Okay, if that's the case, please bring out the painting, Mr. Yang, and I'll take a look at it." Lu Fei said.

Yang Shuangwei turned on the microphone, took out the scroll, placed it on the table and slowly opened it.

As soon as the scroll scroll opened a corner, Lu Fei's eyes lit up.

After everything was unfolded, Xu Jianye and Xin Hui, who were keeping accounts on the side, were shocked.

""Lotus Bird Picture"?"

"The original work of Bada Shanren is a good thing!"

Lu Fei took a closer look and was full of praise.

This is a vertical scroll ink painting on paper, measuring over 1.8 meters in length and nearly one meter in width.

In the painting, the lotus leaves are about to decline, and the lotus will wither. The two birds are staring at each other with confused eyes, revealing a lot of confusion and confusion about the future.

The whole picture is vivid and full of interest.

The lotus pond depicts shallow water and dew mud. The lotus handle is slender, soaring upward, and it is graceful and graceful, with the style of a gentleman.

In this picture, the lower left part, which echoes the lotus and lotus, is painted with exposed rocks in the water. It is well composed, while the right part remains outside the painting. The brushwork is relaxed, sparse and lively.

This painting is definitely the work of a great master, and there is no doubt about it.

"Lotus Bird Picture\

,"There is no doubt that Zhu Da, a Badashan native from the late Ming Dynasty and early Qing Dynasty, is authentic.

It's just that the surface of the paper is heavily oxidized and the color is dark, which is a big pity.

People are not particularly unfamiliar with Bada Shanren.

Many friends think that Bada Shanren is the title of eight people put together. This is totally wrong.

Bada Shanren is just one person. This person's name is Zhu Da, and Bada Shanren is just one of Zhu Da's nicknames.

Zhu Da is the ninth grandson of Zhu Quan, the seventeenth son of Ming Taizu Zhu Yuanzhang, and was originally a royal grandson.

After the fall of the Ming Dynasty, he became a monk and became a desperado. Later he converted to Taoism and lived in Qingyunpu Taoist Temple in Nanchang.

Zhu Da is good at calligraphy and painting. He mainly uses freehand ink painting of flowers and birds, with exaggerated and strange images. His pen and ink are condensed and solemn, and his style is majestic and timeless.

Dong Qichang, a master of landscape painting, has a simple and concise style of painting with a sense of tranquility and spaciousness.

Good at calligraphy and poetry, he uses very little ink and is beautiful in simplicity and simplicity.

Zhu Da had a rough life, and once suffered from mental disorder. After learning from the pain, he chose to turn his back on himself, isolate himself from the world, and rest his lonely soul in his creation.

A poem by Bada Shanren said: "There are not many ink spots, but there are many tears. The mountains and rivers are still the same as before. The coconut trees that flowed through the troubled times have been left to be copied carefully by the literary community."

The most prominent feature of Bada Shanren's flower and bird paintings is "little", or in his words, "honest".

This less refers not only to fewer objects, but also to fewer pens.

Bada Shanren's paintings often appear with a fish, a bird, a chick, a tree, a flower, a fruit, or even without a single stroke, just a seal, which is a complete painting.

His method of reducing complexity to simplicity and "cherishing ink like gold", through his ingenious conception, can finally overcome more with less, and the artistic conception is far-reaching.

Secondly, in terms of the image of the painting subject, Zhu Da pursues deformation, and his deformation is not a simple deformation, but the pursuit of form, interest, skill, and

Close integration of ideas.

Therefore, when viewing the paintings of Bada Shanren, one can often gain different insights and feelings.

Although his target audience is very few, he does not make people absolutely lonely.

Due to his special life experience and the background of the times, Bada's paintings cannot express his feelings as directly as other painters. Instead, they are expressed through his obscure poems and strange deformed paintings.

For example, the fish and birds he painted, with just a few strokes, either elongate their bodies or shrink into a ball, which is paradoxical.

Especially the pair of eyes, which are sometimes oval-shaped, are not the eyes of the fish and birds we see in life. The eyes of fish and birds in life are round, and the eyeballs do not move in the center.

The eyes of the fish and birds painted by Zhu Da can move, and sometimes they even roll their eyes and stare at people.

The rocks he painted were not like those painted by ordinary painters. They were round, big at the top and small at the bottom, top-heavy. He could place them wherever he wanted, regardless of whether they were stable or not.

The trees he painted have old dry branches and only a few coconut branches and a few leaves. Among the tens of thousands of trees in the forest, there is no one like this.

Due to the particularity of Bada Shanren's works, his paintings were not particularly popular in the early Qing Dynasty.

But Emperor Qianlong admired Bada Shanren's simple and simple painting style very much.

Due to Emperor Qianlong's appreciation, Bada Shanren's works became completely popular.

In modern times, authentic works of Bada Shanren have become more popular, and their transaction prices have reached new highs.

At Tiandu Jiade Auction House in 2004, a fish painted by Bada Shanren was sold for as high as 4.8 million yuan. Remember, it was just a fish.

In the 2010 autumn auction at Christie's Hong Kong, Bada Shanren's "Bamboo and Stone Mandarin Ducks" was sold for 118 million.

At the Tiandu Jiuge auction in the same year, Bada Shanren's "Three Friends in the Winter" sold for more than 170 million.